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The S-275 is a slim line stereo power amplifier boasting our latest advancements in circuit design featuring an impressive 275 Watts per channel into 8 Ohms and 550 Watts per channel into 4 Ohms in stereo mode. Setting the rear panel switch to mono operation, the S-275 boasts a massive output of 550 Watts into 8 Ohms and 1,100 Watts into 4 Ohms. Technologies developed for the Krell Evolution am...[more]

AUDIOPHILE GRADE INTEGRATED AMPLIFIER Employing a massive 750 VA toroidal transformer and 38,000 microfarads of capacitance, the S-300i sets the performance standard for integrated amplifiers. At 150 Watts per channel into 8 Ohms and 300 Watts per channel into 4 Ohms the S-300i is built to meet the demands of today's latest loudspeaker technology. A KRELL Class A, direct coupled design, ful...[more]

The S-350 CD/DVD Player is a modular design featuring reference caliber CD playback as well as an optional state-of-the-art video engine that provides stunning 1080p performance and video processing controls. The base model, the S-350a establishes a new high standard of performance and value among high-end compact disc players. For home theater systems, the S-350a can be eq...[more]

It was all a bit of shock back in the ‘90s when Krell suddenly introduced a neat little integrated amplifier in the form of the KAV-300i - such a contrast to their tradition of big, beefy power amps. But once past the scepticism we all realised, perhaps to our surprise, that this slim and unassuming device actually had a good measure of Krell’s unique signature: control, dynamics an...[more]

Equally suited to traditional two-channel or complex multi-channel applications, and with color options making it aesthetically compatible with any décor, the S1.5 delivers design and performance in an extremely flexible package. The S1.5 employs the same Beryllium tweeter, Nano-Tec mid-range driver technology, as well as Magico’s acoustic-suspension enclosure platform with the...[more]

Every Sabrina crossover is a solitary work of art, each built individually to match the reference crossover. Wilson mandates tolerances that are as stringent as plus-or-minus point-two percent (two-tenths of a percent)—much more exacting than what even the best individual components can achieve. While other high-end manufacturers accept this lack of precision as au fait, and crank out tin...[more]

A short animated video revealing the form-factor changes within the SabrinaX in comparison to the previous model. The SabrinaX is a ground-up rethinking of the Sabrina, perhaps the most universally loved of Wilson’s small, floor-standing loudspeakers during the last several decades. The original Sabrina attracted a loyal, almost cult-like following. It was a rare combination of traditio...[more]

Krell uses high performance, discrete topologies throughout the SACD Standard, including the multi-channel gain stages. Surface Mount Technology, a state-of the art circuit miniaturization technique, provides the circuit density and signal transfer capability demanded by complex Krell circuit designs.Matched 24-bit /192 kHz DACs are used on all channels, and the balanced left and right output circ...[more]

The Man Who Started it All The original WATT began not as a response to a perceived market need. It was not the product of focus groups. Dave Wilson never intended it to be a commercial product at all. Dave designed the WATT in 1985 as a tool for himself. He was a recording engineer who needed a loudspeaker he could take with him to on-location recording venues, a location monitor that s...[more]

The tweeter portion of the Sasha Series-2 Wilson's Audio baffle is now made from the latest generation of X-Material, like in the Alexia. The midrange portion of the baffle continues to be S-material. S-material was developed specifically for use in midrange baffles, and is a wonder of midrange beauty and low-resonance. In combination with X-material, S-material reduces measurable and audible n...[more]